The Next Track, Episode #147 – Kirk’s New Sonos Amp

The Next Track Blue Flat Button2 400pxKirk bought some new audio equipment: a Sonos Amp. We talk about how this amp works, and how it has allowed Kirk to minimalize the equipment in his home office.

Listen to The Next Track: Episode #147 – Kirk’s New Sonos Amp.

Find out more at The Next Track website, or follow The Next Track on Twitter at @NextTrackCast.

Audio Engineering Matters, Not The Format – Computer Audiophile

My personal philosophy is that I am format neutral. For me, the format of the digital file is one of the least significant factors in getting true audio fidelity in the home. Assuming that one has competently engineered and manufactured electronics, which I find to be generally the case, the most significant and most often overlooked factor by audiophiles, is the room itself.

This cannot be stressed enough.

As for the format of the recording, I find that the quality of the recording itself to be far more important than the format. The skill of the recording engineer, the microphones used, the placement of same, the recording venue, the placement of the musicians in that space all trump whether the format is DSD or PCM or analog tape. With great engineering and or course, a light touch by the mastering engineer, all of these formats can yield spectacular results.

This too.

Source: Audio Engineering Matters, Not The Format – Computer Audiophile

The Next Track, Episode #135 – Christmas Gift Guide

The Next Track Blue Flat Button2 400pxDoug and Kirk make a list, and check it twice, presenting some ideas for music-related Christmas gifts.

Listen to The Next Track: Episode #135 – Christmas Gift Guide.

Find out more, and subscribe to the podcast, at The Next Track website. You can follow The Next Track on Twitter at @NextTrackCast, to keep up to date with new episodes, and new articles from the website.

The Next Track, Episode #110 – Requiem for the Stereo

The Next Track Blue Flat Button2 400pxIs the home stereo dead? It certainly looks like it.

Listen to The Next Track: Episode #110 – Requiem for the Stereo.

Find out more, and subscribe to the podcast, at The Next Track website. You can follow The Next Track on Twitter at @NextTrackCast, to keep up to date with new episodes, and new articles from the website.

Why Do People Equate High End Audio with Snake Oil? – Archimago’s Musings

I believe there is very much “snake oil” salesmanship going on in many areas of “high end” audio. Remember though that fraudulent products and sales tactics happen in many places, not just audiophilia (for example, think of fraudulent pharmaceuticals, naturopathy, homeopathy, the local psychic, etc.). However, like most things in life, it’s a bit more complicated and it would not be fair to classify everything as black or white.

A good examination of how many audiophile products can be considered snake oil, and how audiophiles get wrapped up in this type of thinking.

Source: Archimago’s Musings: MUSINGS: Why Do People Equate High End Audio with Snake Oil?

Speaker Cables: Can You Hear the Difference? – Sound & Vision

In the early 1980s, esoteric high-end audio as we know it today was just taking off as an alternative to the mass-market equipment offered in neighborhood TV/appliance stores. Fueled by an underground audio press that included magazines and newsletters such as Sound & Vision sister publication Stereophile, The Absolute Sound, International Audio Review, The Audio Critic, and others, a cottage industry emerged, one populated by small manufacturers of low-volume, high-priced exotica claiming greater faithfulness to the music than the gear reviewed and advertised in the pages of Stereo Review, High Fidelity, Audio, et al. Some of these claims were founded—true advances were indeed being made by start-ups run by technicians with first-class bonafides and good ears. But the High End also attracted its share of half-baked products and at least a few charlatans looking to cash in selling accessories that had little higher performance than a dime-store engagement ring.

In the midst of all this, the premium cable business emerged, driven in no small part by the success of the early Monster Cable products that followed the company’s founding by engineer/audiophile Noel Lee in 1979. The editors of our precursor Stereo Review were suspicious of the benefits of such speaker cables and interconnects, which were suddenly being proffered by an ever-widening mix of high-end specialists, often at prices far higher than Monster’s. The highly objective measurement-based testing approach employed by Julian Hirsch and his colleagues already ran counter to the high-end community’s subjective reviews, which focused solely on claimed sonic differences that SR’s instruments couldn’t detect. It wasn’t long before Stereo Review began positioning itself as the skeptical voice of reason in what its editors deemed an audio industry gone mad.

It was no surprise, then, that in 1983, the magazine jumped at the opportunity to conduct a double-blind listening test, which editor-in-chief Bill Livingston and his colleagues hoped would reveal, scientifically, that high-end cables were indeed a hoax and provided no higher performance than the everyday lamp cord in common use at the time.

Interesting reprint of a 1983 article examining speaker cables to see if listeners could tell the difference between average cables and premium wires.

Source: Speaker Cables: Can You Hear the Difference? | Sound & Vision