The Next Track, Episode #117 – Back from Vacation

The Next Track Blue Flat Button2 400pxDoug and Kirk took a week off. They are back to discuss their music listening during that week, and more.

Listen to The Next Track: Episode #117 – Back from Vacation.

Find out more, and subscribe to the podcast, at The Next Track website. You can follow The Next Track on Twitter at @NextTrackCast, to keep up to date with new episodes, and new articles from the website.

New on Apple Music: Friends Mix

Friends mix

Apple has started rolling out a new feature in Apple Music For You called Friends Mix. As its name suggests, it is a playlist of music that your friends have listened to. Of course, to use this, you have to have friends on Apple Music; this process isn’t simple, and I bet most Apple Music users don’t know that it exists. I assume that if you have no friends, that is you’re not following anyone, then you won’t see this playlist.

The Friends Mix refreshes every Monday.

Update: now, a few hours after I wrote this article, the Friends Mix no longer shows up for me in For You. No idea why.

The Next Track, Episode #116 – Wearing Your Favorite Band

The Next Track Blue Flat Button2 400pxWe talk about artist t-shirts, and how they represent a search for identity and a desire to belong to a certain group. And they look cool.

Listen to The Next Track: Episode #116 – Wearing Your Favorite Band .

Find out more, and subscribe to the podcast, at The Next Track website. You can follow The Next Track on Twitter at @NextTrackCast, to keep up to date with new episodes, and new articles from the website.

The Next Track, Episode #115 – App Developer Peter Chilvers on the new Travis & Fripp Apps

The Next Track Blue Flat Button2 400pxPeter Chilvers joins us to follow up on last week’s episode, where Theo Travis discussed his new apps built around Travis & Fripp performances, that Peter developed.

Listen to The Next Track: Episode #115 – App Developer Peter Chilvers on the New Travis & Fripp Apps .

Find out more, and subscribe to the podcast, at The Next Track website. You can follow The Next Track on Twitter at @NextTrackCast, to keep up to date with new episodes, and new articles from the website.

Coming Soon: An Even Bigger Classical Box Set, Bach 333

The Mozart 225 box set was the biggest box set ever. Until this year. Deutsche Grammophon will be releasing Bach 333, “the new complete edition,” in October. With 222 CDs, and just one single DVD, this will dwarf the Mozart set, which apparently sold well enough that DG has tried to come up with a faux round number to celebrate Bach and repackage his music. (Amazon.com, Amazon UK)

It will contain more than 280 hours of music, from 750 performers and 32 record labels. And that latter number is interesting. We saw a number of complete sets around 2000, and they were all single-label sets. The ability for DG to combine releases from all the Universal labels, and license from other labels, makes it possible to have a much better selection of music than from any one label.

I guess the above makes it sound like I’m interested in this set. I might be; at around £500, it’s a huge investment, but my love for Bach could sway me. I bought the Mozart set – and haven’t listed to very much of it – but my familiarity with Bach makes this tempting. On the other hand, it’s 222 CDs, which will take 280 hours to listen to – just once each – and countless days to rip, if I decide to rip them.

In 2000, I would have jumped on this – I did buy two of the complete sets available back then – but now, I’m not so sure. It’s not just that I buy fewer CDs, and have less time to listen to my huge collection, but I’m not sure that there is any real need for this. It’s excessive, but the music of Bach is so great that, well, he merits this type of approach.

There is one element of the set that is interesting, but that makes me hesitate. Some sets of works are made up of a mixture of recordings by different performers. For example, the lute suites are performed by three different people; the sonatas for violin and keyboard by two different pairs; and there are discs containing a hodgepodge of similar works by a variety of musicians, such as one with cello suites Casals, Starker, and Genrdon, followed by a lute suite by Gerwig, and gamba sonata by Wenzinger, a partita by Segovia, and a suite by Bream (and there’s much more on that disc). This does have some attraction as a sort of compilation of great performers, but it is a bit confusing. On the other hand, many works are present in multiple versions, such as the Kunst der Fuge for chamber orchestra, piano, and harpsichord, but there is no organ version.

The Mozart set was a limited edition: 15,000 copies. It hasn’t sold out yet. This Bach set is also limited, presumably the same number, and may have good resale value if it sells out, but it’s not worth buying as an investment, because fewer people these days care about big box sets.

In any case, I’ve got a few months to think about it. So do you. (Amazon.com, Amazon UK)