Audiobooks on Vinyl?

From Billboard:

The resurgence of vinyl continues, as Hachette Audio, an imprint of Hachette Book Group, and Wax Audio Group has announced a new series of vinyl + digital audiobook titles in 2018. The range will include releases read by Lin-Manuel Miranda, Jerry Garcia, Amanda Palmer and Steve Jones, among others. The series launches with David Foster Wallace’s This Is Water, which is available today (Feb. 27).

WTF? Seriously, why would anyone do this? No one is going to listen to an audiobook on vinyl. This is just capitalizing on the lets-buy-vinyl-so-we-can-flog-it-on-eBay-in-a-few-years boom.

Among such creative executions of Hachette and Wax’s audiobook-on-vinyl titles: Wallace’s This Is Water is available in two limited collector’s editions — 1,500 copies will feature a blue-and-white water-inspired design for online orders, while independent bookstores and music stores will get 500 copies on orange colored vinyl.

“Creative executions…” Pfft.

Why Can Everyone Spot Fake News But The Tech Companies? – BuzzFeed

“Among those who pay close attention to big technology platforms and misinformation, the frustration over the platforms’ repeated failures to do something that any remotely savvy news consumer can do with minimal effort is palpable: Despite countless articles, emails with links to violating content, and viral tweets, nothing changes. The tactics of YouTube shock jocks and Facebook conspiracy theorists hardly differ from those of their analog predecessors; crisis actor posts and videos have, for example, been a staple of peddled misinformation for years.

This isn’t some new phenomenon. Still, the platforms are proving themselves incompetent when it comes to addressing them — over and over and over again. In many cases, they appear to be surprised by that such content sits on their websites. And even their public relations responses seem to suggest they’ve been caught off guard with no plan in place for messaging when they slip up.”

All of this raises a mind-bendingly simple question that YouTube, Google, Twitter, and Facebook have not yet answered: How is it that the average untrained human can do something that multibillion-dollar technology companies that pride themselves on innovation cannot? And beyond that, why is it that — after multiple national tragedies politicized by malicious hoaxes and misinformation — such a question even needs to be asked?

Because they wan’t to use algorithms; they don’t want to have to pay humans.

Source: Why Can Everyone Spot Fake News But The Tech Companies?

‘The Twilight Zone,’ from A to Z – The New York Review of Books

The [Twilight Zone’s] articulate underlying philosophy was never that life is topsy-turvy, things are horribly wrong, and misrule will carry the day—it is instead a belief in a cosmic order, of social justice and a benevolent irony that, in the end, will wake you from your slumber and deliver you unto the truth.

[…]

The show’s most prevalent themes are probably best distilled as “you are not what you took yourself to be,” “you are not where you thought you were,” and “beneath the façade of mundane American society lurks a cavalcade of monsters, clones, and robots.”

This review of a new book, The Twilight Zone Encyclopedia (Amazon.com, Amazon UK) highlights all the things that made the series not only great in its time, but also an enduring television classic. It’s hard to imagine a series that was more influential on the American psyche at such a time of turbulence. The fact that it still has resonance is testimony to its unique vision.

I wish the series was more affordable in digital format. I bought the first season on the iTunes Store some time ago when it was $10, but each season is $35, which is excessive. I have the entire thing on DVD, and I just don’t have the time to rip them. You can get the whole set on Blu-Ray for only $70. (Amazon.com, Amazon UK)

Source: ‘The Twilight Zone,’ from A to Z | by J.W. McCormack | NYR Daily | The New York Review of Books

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